She wants to help but is forced back to Germany.

Does this film represent a premonition of his own death? Voss, trying to come back towards the cinema, cannot perform an absurdly simple scene, but it attracts the attention of the journalist, who suspects that something's very wrong regarding her doctor. Partially based upon the life of Sybille Schmitz, WI found fame under the Nazi regime, but woods career was destroyed afterwards, Veronika Voss is a once prominent UFA actress, kept by her doctor, raises suspicion in a sports journalist.

Also contained in the Artificial Eye Region 2 edition.

Munich, 1955. Her fortune spent, her marriage destroyed, she began to live as an inpatient in the clinic of a sinister Berlin woman who billed herself as a psychiatrist but was also a Dr. Feelgood who strung along her patients on morphine and controlled them by withholding their supply. Veronika's behavior is erratic and sometimes desperate. They fall in love, to their own surprise-and to the outright shock of their families, colleagues, and drinking buddies. Now declining, Voss is kept by her "kind" doctor, Dr. Katz, supplying her house, food, clean clothes and her favourite: morphine. Voss, trying to come back towards the cinema, cannot perform an absurdly simple scene, but it attracts the attention of the journalist, who suspects that something's very wrong regarding her doctor. It tells the story of a German actress who worked tirelessly and achieved great fame, but began depending on drugs and alcohol and eventually became so addicted that she sold her body and soul for drugs. Everything changed during the WWII and especially after its end.Fassbinder's film which was shot in black and white visually is very impressive.

Veronika Voss is the second film of his BRD Trilogy, but was chronologically made last, after The Marriage of Maria Braun and Lola. Rosel Zech and Juliane Lorenz interview in 2003 for the Criterion Collection DVD of the film. In his 37 years he directed 40 features, 24 stage plays and two long TV miniseries (notably "Berlin Alexanderplatz"). The film ends tragically as Dr. Katz and her cohorts have Veronika sign over all that she owns and leave her with a fatal dose of pills. Hans Epp is a self-destructive man who lives a dissatisfied life. Was this review helpful to you? As Robert delves into her life he discovers that she is essentially a captive to a corrupt neurologist named Dr. Marianne Katz. Struggling for survival and haunted by past glories, she encounters sportswriter Robert Krohn (Hilmar Thate) in a rain-swept park and intrigues him with her mysterious beauty. and drug dealer (Günther Kaufmann). A four-year-old girl tries to come to terms with the sudden death of her mother. (1982). Partially based upon the life of Sybille Schmitz, WI found fame under the Nazi regime, but woods career was destroyed afterwards, Veronika Voss is a once prominent UFA actress, kept by her doctor, raises suspicion in a sports journalist. His death seems to have interrupted this flow in mid-stream. She is watched by Robert Krone and by her ex-husband Max Rehbein (Armin Mueller-Stahl), who wearily explain to the sports writer that his former wife is a hopeless addict. What an impression he made when he was alive! The star struck journalist has without realizing it walked into the last act of Veronika Voss's life. Dr. Katz keeps Veronika addicted to opiates and uses her power to give or deny drugs as a means to bleed the actress of her wealth. Powerfully influenced by the heavily stylized works of the German-Danish-American director Douglas Sirk ("Written on the Wind"), he may have worked at a feverish pace but his films always look carefully planned. How can everybody else be so lucky?". Veronika Voss is a formerly popular UFA film star who is said to have slept with Joseph Goebbels but is now struggling to get roles. Throughout Fassbinder's work we find such figures, great stars, mannered, decadent, in various stages of their decay. Munich, 1955: A sports journalist meets Veronika Voss, an UFA actress who supposedly had an affair with Goebbels. Also in my Great Movies Collection are reviews of Fassbinder's "Ali — Fear Eats the Soul," a re-working of Douglas Sirk's "All That Heaven Allows," and Sirk's "Written on the Wind." The film opens in 1955 with Voss (Rosel Zech) looking at one of her own pre-war classics (that's Fassbinder himself in the audience, leaning on the seat-back behind her). Dr. Katz then has Henriette killed and with Veronika's help covers up the crime when Robert arrives with the police. Fassbinder (1945-1982) was an immensely productive filmmaker. She grandly says she will pick up the check, then "allows" him to do it, and invites him to come home with her. A lonely widow meets a much younger Arab worker in a bar during a rainstorm. In "Maria von Braun," where Günther Kaufmann plays Maria's G.I. Add the first question. Her song "Lili Marleen" becomes a hit with soldiers and the Nazi top.

This scene is followed without further ado by one in which she meets Robert Krohn. Check out our picks for movies that (hopefully) won't keep you up at night. Veronika Voss (Rosel Zech) is sitting in the cinema (the spectator next to her is Rainer Werner Fassbinder) watching one of her old films, a melodrama called Insidious Poison (Schleichendes Gift)—a look back into her past, but also into the future. I like it but I think it is the weakest part of the trilogy perhaps because "Lola" and "Maria Braun" are so strong. A handsome Belgian sailor on shore leave in the port of Brest, who is also a drug-smuggler and murderer, embarks upon a voyage of highly charged and violent homosexual self-discovery that will change him forever from the man he once was. lover, similar music is heard, probably via Armed Forces Radio, a reminder of the presence of American occupying forces in postwar Germany. Several American country music songs appear on the soundtrack throughout the film, including Sanford Clark's version of Lee Hazlewood's "Run Boy Run"; Johnny Horton's "The Battle of New Orleans"; Tennessee Ernie Ford's "Sixteen Tons"; and Tommy Collins's "High on a Hilltop" performed by The Berlin Ramblers. 7 of 11 people found this review helpful. A once-beloved Third Reich–era starlet, Veronika Voss (Rosel Zech) lives in obscurity in postwar Munich. looking as discontented as usual. Rainer Werner Fassbinder premiered "Veronika Voss" in February 1982, at the Berlin Film Festival. When Robert Krohn returns that day to his own apartment and girlfriend Henriette (Cornelia Froboess), he is almost proud to tell her where he spent the night, and she, also a writer for the newspaper, accepts this as an expression of his nature; she wants to know what Voss was like. Movie Poster of the Week: Movie Trilogies, Todd Haynes’ Cinematic Voice: Stream 7 Classic Films That Shaped The Filmmaker, Ava DuVernay Original Prison Documentary Set To Open The 54th New York Film Festival, Favorite Character from a Single Female Name Titled Film, Greatest Foreign Language Film Trilogies of All Time. His morality is tested when he unknowingly falls in love with a brothel worker, Lola, the paid mistress of a corrupt property developer. At least a dozen other Fassbinders are reviewed on this site. Veronika Voss During the last weeks of his life, Schmid said, during those sad telephone calls at three in the morning, Fassbinder often repeated the same thing. Indeed, Fassbinder's focus on Rosel Zech's reminds me of von Sternberg's Dietrich in "The Blue Angel.". Title:

Fassbinder has a cameo role in the beginning of the film sitting behind Voss in a movie theatre and watching her old movie.

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